CENTER for
EMERGING ART, Inc. 800 West Avenue #737 Miami Beach, FL 33139
Ava L. Rado, Executive Director 305.538.2803 For further informtion write to the above address and
send a SASE Being good in business is the most fascinating kind of art. Making money is art and working is
art and good business is the best art. (Andy Warhol)
For all tax purposes the Center for Emerging Art, Inc., founded in 1995, is a
501(c)3 non-profit arts organization recognized by the Federal Government, Federal ID number 65-0565473,
and is recognized by the State of Florida: SC-05450/JG – and has complied with the filing requirements
of Section 496,406(1)(b), Florida Status. All gifts and donations are 100% tax deductible as permitted by the IRS code The Center for Emerging Art, Inc., founded in 1995, is a 501(c)3 non-profit arts
organization recognized by the Federal Government, Federal ID number: 65-0565473, and is recognized by the State of Florida:
SC-05450/JG – and has complied with the filing requirements of Section 496,406(1)(b), Florida Status. The Center for
Emerging Art, Inc. is a non-profit corporation and for all tax purposes is a 501(c) organization, and all gifts and donations
to the CEA are 100% tax deductible as permitted by the IRS code
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Artist Residency@Broward Lighthouse for the Blind |
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Ava Rado Harte, painter/photographer/filmmaker Born
in Budapest, Hungary;
emigrated to the United
States after the Hungarian Revolution in 1956. Painter, photographer, filmmaker and curator. My work has been exhibited in several one-woman shows
in galleries in SoHo,
group exhibition Fine Arts Museum of Long Island, New York; All Florida Biennial-Polk Museum of Art in Lakeland, Florida; the New Capitol Gallery and the Rotunda Gallery in Tallahassee and the OceolaCenter for the Art in Kissimmee, Florida. Her mosaic
artistic representation using the criteria for style, creativity and cultural significance translation of Puerto Rican image
Mystic Cool Puerto Rican Days is set into the sidewalk by the City of Miami Department of Development along NW 2°d
Avenue, Wynwood area in Miami. She works hand-in-hand with the resident artists as they provide basic design and cultural
programming for the Center for Emerging Art's Outreach Programs within the community. Ava Rado is Executive Director
of the Center for Emerging Art, Inc. and Artistic/Project Director for the Preserving the Legacy projects. Education:
School of Visual Art, HerbertH.LehmanCollege, HunterCollege, FIU. She has studied the auction house and how it relates to the art market while working in
Sotheby’s in Miami. As
a painter, photographer, filmmaker she has exhibited her work in several one-woman exhibitions, and group shows. As Artistic
Director she plans each performance, session,, workshops with the artists and participants while leading the interview with
the participants as they share their life experiences, and translate them into visuals. As Project Director, she works
hand-in-hand with the resident artists with the creation of their own creative expression by providing basic designs on which
the participants can expand and elaborate as they share their lives. EDUCATION: Florida International University - BA -English/Art History and BA -Liberal Arts/Visual Art; Hunter College - Film School;
Herbert H. Lehman - Fine Art; School of Visual Art - Animation HONORS: Art-in-Public
Places-Wynwood Design Tile Competition; Polk Museum Fourth All-Florida Biennial,
1993; appointed to the Environmental Working Group of the Juvenile Justice Committee's Self-esteem Task Force, 1991; member
of the American Association of Museums
EXHIBITION LIST AVAILABLE UPON REQUEST
PUBLICATION: American Artists, An Illustrated Survey of Leading
Contemporaries by Les Krants, P.61, Harte, Ava Rado Entertainment News & Views, ~Miami, 1990
Who's Who of American
Women, 1999/2000, 2001/2002, 2002/2003, 2004/2005, 2005/2006 2006/2007
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Budapest November 13, 2004 Raday Castle HOW TO LOOK at ART DESCRIPTION - The following process of evaluating and critiquing artwork is one of the ways
that a viewer can come some understanding of the work they are viewing. Modify or embellish the process or use one of your
own choosing which is appropriate for you. There is not one rule in how to look at art. Everyone’s aesthetic is differentIn
the initial stage of looking at an artwork, a visual inventory is made by the viewer. Design elements are noted (line, shape,
color, space, texture, value). Media or technique used for expression in the work is also noted (paint, clay, paper, metal,
etc.) At this point there is no mention of the subject matter, there is no judgments made. This step only serves to accomplish
an inventory of what is seen. ANALYSIS - INTERPRETATION - An attempt is made in at this stage to determine
the issue or concept which seems to unify all of the separate traits of the art work. Based upon the description and the analysis,
what is the artist communicating? JUDGMENT - The viewer
may form a judgment about the work of art. The judgment is based upon the description, analysis and the interpretation. Personal
philosophies, background and feelings are now taken into account. At this stage focus on the relationship
among the design element just inventoried. Design principles are noted (balance, rhythm, contract, tension, proportion, emphasis).
For example, color and shape (elements) may be interacting in a such a way that balance and contrast (principles) are achieved.
Size, shape, color and texture relationships are among those distinguished.
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GIVING IS EASY - KEEP THE ARTS ALIVE The Center for Emerging Art, Inc., founded in 1995, is a 501(c)3 non-profit arts organization
recognized by the Federal Government, Federal ID number: 65-0565473, and is recognized by the State of Florida: SC-05450/JG
– and has complied with the filing requirements of Section 496,406(1)(b), Florida Status. The Center for Emerging Art,
Inc. is a non-profit corporation and for all tax purposes is a 501(c) organization, and all gifts and donations to the CEA
are 100% tax deductible as permitted by the IRS code.
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Frederick Handel Water Suite by CEA Chamber Ensemble
and water ballet at The BILTMORE
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